Events

Speaker: Christian Wolf, MIT Topic: TBA

Alfred Galichon, NYU Topic: TBA

“Towers in the Void: Li Yu and Early Modern Chinese Media”

THIS IS AN IN-PERSON EVENT AND WILL NOT BE LIVE STREAMING.

Wednesday, May 8 · 5:00 pm

Franke Institute for the Humanities, 1100 East 57th Street Chicago, IL 60637

Part of the East Asia by the Book! CEAS Author Talks series, the University of Michigan’s S.E. Kile discusses his book that argues that the maverick cultural entrepreneur, Li Yu’s cultural experimentation exploits the seams between language and the tangible world. He draws attention to the materiality of particular media forms, expanding the scope of early modern media by interweaving books, buildings, and bodies. Within and across these media, Li Yu’s cultural entrepreneurship with the technology of the printed book embraced its reproducibility while retaining a personal touch. His literary practice informed his garden design and, conversely, he drew on garden design to transform the vernacular short story. Ideas for extreme body modification in Li Yu’s fiction remade the possibilities of real human bodies in his nonfiction writing. Towers in the Void calls for seeing books, bodies, and buildings as interlinked media forms, both in early modern China and in today’s media-saturated world, positioning the Ming and Qing as a crucial site of global early modern cultural change.

This event is presented in partnership with the Seminary Co-op Bookstores.

Join us on the second Wednesday of the month as we welcome Korshi Doosoo, leader of the project The Coptic Magical Papyri: Vernacular Religion in Late Antique and Early Islamic Egypt at the Julius Maximilian University of Würzburg. Dosoo will present the lecture: Christian Egypt and its Pagan Past: Perspectives on Pharaonic Civilization from Coptic Magic. Dooso’s research focuses on magical and lived religion in Egypt from the Ptolemaic to the Mamluk periods as revealed by papyrological and epigraphic sources.

People in pre-modern cultures wore many objects on their bodies as amulets, such as roots, seashells, or carved images. But at different points in time all of the cultures of the ancient Mediterranean began to inscribe prayers and charms on linen, papyrus, gold foil, or gemstones, and to use them as amulets. At this conference, a group of international scholars will ask and try to answer numerous questions about what happens at this point of transition and why. Does the more permanent nature of a text imply its continual presence, ever repeating? Were textual amulets created and used by literate elites alone? What is the relationship between text and image on amulets? If gods previously listened to prayers, when did they learn to read? This conference stems from a larger project to publish a representative collection of textual amulets from across the Mediterranean and throughout antiquity, facilitating the study of the various traditions, their connections, and transformations.

This conference will be available on livestream via Zoom.

Participants

Clifford Ando (University of Chicago)

Anke Ilona Blöbaum (Saxon Academy of Sciences and Humanities in Leipzig)

Korshi Dosoo (University of Würzburg)

Rivka Elitzur-Leiman (Neubauer Collegium, University of Chicago)

Christopher Faraone (University of Chicago)

Anthony Kaldellis (University of Chicago)

Carolina López-Ruiz (University of Chicago)

Margaret Mitchell (University of Chicago)

Árpád Nagy (University of Pécs, Hungary)

Megan Nutzman (Old Dominion University)

Madadh Richey (Brandeis University)

Joe Sanzo (Ca’ Foscari University of Venice; Neubauer Collegium, University of Chicago)

Panagiota Sarischouli (Aristotle University of Thessaloniki)

Sofia Torallas Tovar (University of Chicago)

Erin Walsh (University of Chicago)

Michael Zellmann-Rohrer (Macquarie University / Freie Universität Berlin)

This conference is presented by the Textual Amulets of the Mediterranean World research project at the Neubauer Collegium with the support of the Divinity School and Classics Department at the University of Chicago.

How much work does it take to make art seem effortless, the laboring body absent? Works By attempts to answer this question by bringing together four Chicago-based artists who share an interest in the many meanings of “labor.” The centerpiece of the exhibition is a floor drawing by Tony Lewis, performatively produced on site. A sculpture by Devin T. Mays features pallets collected during his wanderings around Chicago’s South Side. Erased: (Unrelated), a 2012 photograph by Bethany Collins, captures a cloud of chalk dust released into a black void—the remnants of the word “unrelated” repeatedly written on a blackboard and then erased. A large photo by Ellen Rothenberg depicts a work boot; another captures a giant lump of crumpled paper that was once a Barbara Kruger mural. The fruits of these artists’ labors will be on view from May 1 (International Workers’ Day) through July 14 (Bastille Day)—two dates that commemorate landmark events in the history of the working class.

Curated by Dieter Roelstraete.

Classroom Visit with Prof. Mihaela M. Mihailova Sponsored by CEAS

Prof. Thomas Lamarre’s Class: Japanese Animation: The Making of a Global Media

May 9, 2024, 12:30 pm

Logan Center for the Arts, Room 201, 915 E. 60^th St.

Please Join to hear Prof. Mihaela M. Mihailova speak about “Generative AI and Anime Production “ Thursday, May 9, at 12:3 pm US CT.

This class lecture will reflect on emerging applications of generative AI tools in the anime and manga industries. It will examine the aesthetic and production approaches seen in (in)famous recent examples, such as the short film The Dog and the Boy (Ryotaro Makihara, 2023), which features partially AI-generated backgrounds, and the manga Cyberpunk Momotaro (Rootport, 2023), which was produced with the Midjourney software. The talk will discuss the public reception of such works and the debates they have inspired in their respective industries, with a particular emphasis on questions of authorship, creativity, and creative workers’ rights. AI’s entry into Japanese media spaces will not be treated as an isolated phenomenon; instead, it will be discussed in the broader context of an ongoing global push towards the automation of skilled animation labor.

Mihaela Mihailova is an Assistant Professor in the School of Cinema at San Francisco State University. She is the editor of Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft (Bloomsbury, 2021). She has published in Journal of Cinema and Media Studies, The Velvet Light Trap,Convergence: TheInternational Journal ofResearch into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, [in]Transition,Flow, and Kino Kultura. Dr. Mihailova is the co-editor of the open-access journal Animation Studies and the co-president of the Society for Animation Studies. Her current book project, Synthetic Creativity: Deepfakes in Contemporary Media, was recently awarded an NEH grant.

This classroom visit is sponsored by the University of Chicago Center for East Asian Studies with generous support from a Title VI National Resource Center Grant from the U.S. Department of Education.

Join us for a presentation by 

Matt Grennan, PhD Associate Professor in the Economic Analysis & Policy and Innovation & Entrepreneurship groups, Berkeley Haas

“Epistemology of the Violets, or Do Black Lives Still Matter for Asian Studies?”

THIS IS AN IN-PERSON EVENT AND WILL NOT BE LIVE STREAMING.

Thursday, May 9, 2024 - 5 pm

Joseph Regenstein Library, Room 122 1100 E. 57th St. Chicago, IL 60637

Part of the CEAS Lecture Series, this lecture is co-sponsored with the University of Chicago Library and features University of Rochester’s Will Bridges. This talk is interested in the formation of what we might call an epistemology of the violets, or that way of seeing and being in the world at the intersection of the blues and the reds, with “red” here serving as a chromatic stand in for the epistemological and sensorial insights embedded in Japanese creative works. To date, Afro-Japanese scholarship has been framed primarily by concepts such as representation and reception. While informative in their own way, such frameworks prime us to think about transferences from one culture (“blues”) to another (“reds”). Addressing collaborations such as the artwork produced by Pharrell Williams and Murakami Takashi, this talk provides general heuristics for those interested in the study of the epistemological possibilities of purple, or a way of seeing and creating possible worlds that is neither red nor blue—neither African American nor Japanese—but both red and blue, the emergence upon their coalescence. Given the possibility of this new way of seeing the world, I argue that black lives matter to Asian Studies unconditionally. What might an Asian Studies that cultivates black epistemologies unconditionally look like? Will Bridges is the Arthur Satz Professor of the Humanities, Associate Professor of Japanese, and Core Faculty member of the Frederick Douglass Institute for African and African-American Studies at the University of Rochester.